Styles: Musical Theater, Classical, Contemporary
Ages: 10+ (younger upon my approval)
Specialties: beginners, Musical Theatre, classical foundations, audition techniques
Sarah DeYong earned her Bachelor of Music in Music Theatre from Oklahoma City University (OCU) where she was required to study a range of musical styles while maintaining a healthy, classical technique under the tutelage of voice instructor Brenda Holleman. At OCU, she became the soprano section leader of both the OCU Chamber Choir and the OCU Chapel Choir. Meanwhile, she performed in numerous musical theatre shows, operas, recitals and concerts.
After Graduation, Sarah stayed in Oklahoma for a time and worked as a voice instructor for Oklahoma City University Performing Arts Academy and for Poteet Theatre. Sarah spent a brief period in Colorado where she performed the role of Rapunzel in Into the Woods at Candlelight Dinner Playhouse alongside Grammy Award Winner Debby Boone as The Witch.
Since moving to Minneapolis in 2016, Sarah has become an active professional in the Twin Cities theatre and film communities. She’s worked with companies such as Artistry Theatre, The National Theatre for Children, Chameleon Theatre Circle and St. Croix Off Broadway Dinner Theatre. She has numerous professional film and tv credits (ABC, High Voltage Films, MCTC, MCAD) with several projects in pre-production. Sarah also works as a Character Actress for Party Princess Productions and as a visual artist, rendering oil paintings from photographs (on commission) and creating originals to sell.
You can see Sarah on stage at Artistry Theatre in Bloomington as Young Heidi in Follies until May 6th. Then in July/August you can see her in Aristry’s production of Legally Blonde.
Singing reduces stress, improves mood and mental alertness, and even boosts the immune system. Lessons are the best way to make sure that you are benefiting from all of this while protecting your instrument so that you keep your beautiful voice healthy. Like other parts of the body, the voice can be exercised to gain strength and endurance but it is unhealthy to push the voice too far, too fast, or in a manner that causes unnecessary stress on the instrument. Building a healthy sound requires patience and diligence as you master and maintain new concepts.
The teacher-student relationship must be built on communication and trust so that both can ask and answer questions in a way that makes sense to student. I aim to help my students recognize and celebrate even the smallest improvements so that they gain the confidence to thrive and learn to solve problems on their own.
24 hours notice is required for non-emergency cancellations. Payment is still due for cancellations with less than 24 hours notice. Cancelled lessons must be rescheduled within a week of the cancelled lesson. If I need to cancel a lesson, student will be notified immediately and that lesson will be rescheduled.
Students may be asked to leave my studio if lessons are consistently cancelled by the student, if the student is consistently disrespectful toward me, or if I feel the student and I are not communicating productively. No student will be asked to leave without an explanation of the problem and time to fix it.
I will notify all students of any changes in policy. I welcome any and all questions!
Students reserve a weekly ½ hour time slot for lessons.
$35 per half hour lesson
$70 per hour lesson (hour time slots require my approval)
- $120 for a package of four 30 minute lessons or two 60 minute lessons
Lessons must be paid for in advance or at the time of the lesson.
- – Sept 7/8 at the Lab Theatre as the visual artist in Rathaus Production’s “Cabarave”
- – Sept 28/29 at Sabes Jewish Community Center as a member of the ensemble in “Philly the Musical”
- – Oct. 6 at the Cowles Center as the visual artist in Rathaus Production’s “Cabarave”
- Oct. 15 at Troubador Wine Bar in “Hope for Home” a musical fundraiser to reunite families on the border
- – Jan/Feb at Artistry Theatre as Amalia Balash in “She Loves Me”
- – March 2019 at the Cowles Center as Cunegonde (cover) in Vocal Essence & Theatre Latte Da’s concert production of “Candide.”
Live Recording from
“Chess the Musical”