Christian Sanders
Voice Instructor

Instrument: Voice

Styles: Classical, Music Theatre, Jazz, Rock, Pop, Country, Folk, Blues

Age: 15+

Specialties: Bel Canto Technique, Audition Preparation and Technique, Repertoire Consultation, Style, Character Development, Resume Critique, Foreign Languages, Diction, Microphone Technique

Christian Sanders has been hailed as a “…voice whose color belies his age. Someone to watch!” (Bill Eadie,

Mr. Sanders’ operatic repertoire encompasses the roles of Tom Rakewell in Stravinsky’s The Rake’s Progress, Albert Herring in Britten’s Albert Herring, Rodolfo in La Bohème, Fenton in Verdi’s Falstaff, Laurie in Adamo’s Little Women, Tamino in Mozart’s Die Zauberflöte, Rinuccio in Puccini’s Gianni Schicchi, and Prince Charmant in Cendrillon by Massenet. Mr. Sanders has appeared as the Prison Chaplain in the world premiere of Theodore Morrison’s Oscar with the Santa Fe Opera alongside world-renown countertenor, David Daniels; as well as Welko in Richard Strauss’s Arabella with the same company. In the summer of 2015 Mr. Sanders sang the title role of Dorian Gray in The Picture of Dorian Gray at the Aspen Music Festival and School in Aspen, Colorado. For the last two seasons Mr. Sanders has joined the Utah Opera as its Resident Artist tenor. While working alongside this company Christian has performed the roles of Il Messaggero in Aïda, Don Curzio in Le Nozze di Figaro, Remendado in Carmen, the Padre in Man of La Mancha, Normanno in Lucia di Lammermoor, and Castleman in Beck’s The Long Walk. In addition to these opportunities, Mr. Sanders has had the honor of being a part of Des Moines Metro Opera’s Apprentice Artist program. His roles with this company include study covering Des Grieux in their 2016 production of Manon by Massenet as well as singing the roles of the Novice in Billy Budd and Mr. Erlanson in A Little Night Music in the summer of 2017. Christian joined the Young Artist Program at The Glimmerglass Opera for the 2018 season singing Jonathan Dale in the Pulitzer prize-winning opera Silent Night. He also stepped in as Tony in West Side Story during that same season under the baton of Maestro David Charles Abell.

On the concert stage Mr. Sanders has been the tenor soloist in Handel’s Messiah, Bach’s Magnificat, Beethoven’s Choral Fantasy, Mendelssohn’s Elijah, and Bruckner’s Te Deum with the Point Loma Choral Union. More recently, Mr. Sanders performed with the Rice Chorale at Rice University in Houston, Texas for Schubert’s Mass No. 2, and Orff’s Carmina Burana. He has also appeared as a guest soloist with the San Diego Mormon Choir and Orchestra and as the tenor soloist in Mozart’s Coronation Mass with the San Diego Festival Chorus in a live televised concert.

Mr. Sanders was a finalist in the Rocky Mountain Region of the Metropolitan National Council Auditions in the spring of 2012. Christian also had the honor of being awarded first place in the Ruth Burr Competition held in Houston, Texas in 2015. He was the First-Place Winner of the Lower-Collegiate Division of the National Association of Teachers of Singing Young Artist Competition and a Finalist for the 2010/11 Classical Singer Magazine National Competition. Additionally, Mr. Sanders is a scholarship recipient of the R. Faulk and the D. Greiner Encouragement Awards from the Metropolitan Opera National Council Auditions. He is also a scholarship recipient of the Opera Buffs Inc. appearing in the organization’s showcase concert held at Zipper Hall in Los Angeles.

Mr. Sanders has received his Masters degree in Operatic Performance from Rice University in Houston on the full-tuition Edward J. and Frances Bing Memorial Scholarship. He holds a Bachelors of Arts Magna Cum Laude in Music with a minor in Cell and Molecular Biology from Point Loma Nazarene University. Christian joins the Resident Artist Program at Minnesota Opera this season in Minneapolis.

I am a currently a full time, working, professional opera singer by trade, but I am very comfortable teaching all styles of voice including pop, jazz, rock, musical theatre, classical crossover, as well as opera. I believe that a good foundation in classical vocal technique allows a singer the ability to specialize in whichever genre he or she prefers, and my teaching reflects that philosophy.

I have been singing professionally for the past 8 years on opera stages around the country with companies such as The Santa Fe Opera, San Diego Opera, Des Moines Metro Opera, Aspen Opera Theatre, Hawaii Opera Theatre, Minnesota Opera and many others. During that time I have also taught many students from a wide array of ages and backgrounds. I enjoy distilling concepts that I have acquired after years of professional experience in opera performance into something that is immediately beneficial to all of my students no matter what genre they are interested in pursuing.

I am constantly working to ensure my students are meeting their technical goals in our sessions together. Together we will determine an overall plan for our sessions together that will be uniquely tailored to each student depending on his/her needs.

Christian’s Fees
30 min. session – $40
45 min. session – $50
60 min. session – $60

There is a 15% overall discount for purchases of 4 or more sessions at once.
Payment will be accepted by cash or check after each session.

Cancellation Policy – Cancellations will be rescheduled if at least 24 hours of notice is given. Cancellations that occur with less than 24 hours notice will still require payment, but will not be able to be rescheduled (barring extenuating circumstances). If I must cancel a lesson, I will reschedule with the student or parent.

The Italian Straw Hat – Minnesota Opera

Ordway Center for the Performing Arts